Chus Martinez On The Mummification Fetish

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Mummification is a BDSM sexual bondage practice that involves restraining a living person’s body in a non-damaging way.

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BDSM bondage mummification is achieved by wrapping a submissive head to toe, or neck to toe, in materials like saran wrap/clingfilm, cloth, bandages, rubber strips, plaster bandages, duct tape, bodybags, or straitjackets.

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The end result is a person completely immobilized and looking like an Egyptian mummy.

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They may then either be left bound in a state of effective sensory deprivation for a period of time, or sensually stimulated in their state of bondage, before being released from their wrappings.

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Mummification is often used to enhance a feeling of total bodily helplessness, and incorporated with sensation play.

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The mummification fetish is  one type of pseudonecrophilia – but there are many others!


Chus Martinez On Compression Sportswear & Constriction Clothing Fetishes

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Constriction clothing fetish, or compression garment fetish, is a sexual fetish that revolves around a fixation upon tight clothing, and/or people dressed in tight garments. Clinical definitions of a constriction sexual fetish would require that a subject be fixated on tight garments to the extent that they are a recurrent (or exclusive) stimulus for sexual gratification.

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A compression clothing fetishist may be aroused by the sight of a person wearing a tight garment, or by wearing the garment themselves, which might be because of the look achieved by wearing it or the way it feels while it is being worn (and this type of subject can also become arousel by seeing someone in tight clothing and imagining how it feels).  Others with a compression clothing fetish may be aroused by the sight of such garments, even without wearing them and in the absence of other people wearing them, and may also derive pleasure from collecting them.

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Separate from constriction fetishes as a paraphilia are compression garments worn to enhance appearance, such as tight jeans or other eye-catching clothing. The difference is whether, for the person concerned, the clothing is the focus of a sexual fetish, or is merely appreciated and found pleasing.

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Clothing that limits the wearer’s movement is particularly popular among bondage enthusiasts and is a common place of bondage-related fetish fashion. Such restrictive fashions, among others, includes corsets, collars, and hobble skirts. As many restrictive items of clothing belong to women’s fashion, in the past male restrictive clothing fetishists can have had problems in obtaining and using this type of item without being labelled as transvestites. Fortunately a recent fashion for compression sportswear to ‘enhance performance and recovery’ has opened up new possibilities for non-cross dressing males who wish to indulge in this fetish. There is little evidence that compression sportswear is particularly effective as an aid to improved athletic performance and its popularity is more down to its fetish status than its efficacy. Some compression sportswear fetishists also like to be locked inside sports bags, as a way of combining sportswear and bondage fetishes. The British spy Gareth Williams whose dead body was found locked inside a North Face sports bag at a British intelligence ‘safe house’ in 2010, was allegedly an enthusiast for this type of activity.

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The training corset and bondage corset have also become staples of fetish wear, particularly among professional dominants. A submissive or slave may also be forced to wear a tightly laced corset as a form of punishment or simply restriction. And the masochistic practice known as tightlacing creates a particular type of pleasure for the wearer. In the 1980s, pop music performers such as Madonna and Cyndi Lauper reintroduced and popularized the corset as a daring outerwear garment. This influence continues to the present day in both fetish and mainstream fashion.

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A hobble skirt is a long, tight skirt, extending below the knees and often ankle length, it is so tight that it is difficult to walk in. When used as fetish clothing, it is often made of latex or PVC and sometimes corseted, to increase the restriction. Such skirts were briefly a mainstream fashion in the 1910s; however, they were soon abandoned as impractical. They were revived in the 1950s by John Willie and others, as a bondage/fetish style.

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Spandex fetishism is a fetishistic attraction to people wearing stretch fabrics or, in certain cases, to the garments themselves, such as leotards. One reason why spandex and other tight fabrics may be fetishised is that the garment forms a “second skin,” acting as a fetishistic surrogate for the wearer’s own skin. Wearers of skin-tight nylon and cotton spandex garments can appear naked or coated in a shiny or matte substance like paint. The tightness of the garments may also be seen as sexual bondage. Another reason is that nylon-spandex fabric (preferred by many spandex fetishists) is often produced with a very smooth and silk-like finish, which lends a tactile dimension to the fetish – as well as a visual one. There is a sexual attraction to leotards and other dance related clothing. And might be extended to the related fetish for gymnasts and the clothing they wear.

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Likewise, although compression sportswear allegedly boosts athletic performance, it is mainly worn for its sexual allure. It is claimed the tightness of compression sportswear increases blood circulation and thus prevents Delayed Onset Muscle Soreness (DOMS) by quickly eliminating body chemicals produced during exercise. In fact, most athletes who don compression clothing after a workout do so because it makes them feel horny and renders them more attractive to sexual partners and potential sex partners who share their fetish. Around the world compression sportswear fetishists hang out in gyms (which they find sexually alluring), and they also enjoy perving out in shop chains such as Britain’s Sports Direct.

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In comic books, superheroes, superheroines, and supervillains are generally depicted as wearing costumes made of spandex or a similar material. The superheroines always wear skintight, very flashy and bright-coloured costumes that usually cover only just enough of the body to be presentable. Fantasies involving superheroes or the wearing of superhero costumes are commonly associated with spandex fetishism, and more recently with compression sportswear fetishism.

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Chus Martinez On Erotic Sexual Denial

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Erotic sexual denial, also known as orgasm denial, is a sexual practice in which a heightened state of sexual arousal is maintained for an extended length of time without orgasm, and is commonly practiced in association with BDSM and sexual bondage. Erotic sexual denial can be another name for or variant of orgasm control. Erotic sexual denial is a form of sex play.

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One form of erotic sexual denial is the reduction or deprivation of all genital stimulation. To ensure a complete absence of genital stimulation, a chastity device may be used as a physical barrier to genital touch or full erection. Tease and denial describes a situation where a person’s genitalia are stimulated until he or she is close to the point at which orgasm would normally be inevitable. At that point, direct stimulation of the genitals is reduced or stopped, so as to keep the recipient on the very brink or “edge” of orgasm (as with orgasm control) but without the promise of orgasm at the end.

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If orgasm still occurs after removal of stimulation, it typically brings less pleasure than usual, and is considered a “ruined orgasm”, as opposed to being a “denied orgasm” (sometimes known as “blue balls”). Alternatively (for men), the release of semen during the emission phase of ejaculation might be prevented by some sort of constriction (“blocked orgasm”). Depending on the relationship, subjects might be repeatedly teased to the point of orgasm several times, but without actual orgasm, causing feelings of intense arousal and psychological need.

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To be able to control an orgasm of a partner in such sex games, physical restraints are commonly used. Situations involving bondage are typically called tie and tease and can be thought of as extended tease and denial games. This practice is often an integral part of erotic denial. Tie and tease activities are physically as well as psychologically intense, because the strong feelings of sexual frustration are escalated by the sensation of helplessness induced by bondage.

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The practice of total sexual denial usually includes total avoidance of genital stimulation. This often involves the use of a physical barrier or device such as a chastity belt. Chastity belts or similar locking devices are available for both men and women. Depending on the situation, sexual arousal may still be achieved regardless of physical barriers to genital stimulation. However, this depends on the belt used.

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A related practice is that of the deconstructed orgasm, in which stimulation and arousal is conducted at a very slow pace, allowing the ‘stimulator’ to obtain feedback from the ‘stimulatee’ (generally spoken, but conceivably obtained by means of body language or measuring certain bodily responses and functions). Depending upon the accuracy of the feedback, the progress towards eventual release can be judged more accurately than would be the case in an unfettered encounter, allowing the possibility of the orgasm to be delivered (whereupon observations and measurements may be continued) or of stimulation to be withdrawn or decreased in the closing stages, leading to a ruined orgasm as described below.

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Where orgasm denial has been pushed to the limits, in some instances actual orgasm doesn’t materialize. This according to research accounts for a small percentage of the 70% – 80% of women that don’t reach climax during sexual intercourse. Erotic sexual denial, in various forms, is sometimes associated with creating a state of sexual need leading to a more pliable or agreeable outlook by the denied party.

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Orgasm denial practices can allow dominant lovers to exercise control and training over highly intimate and psychologically significant aspects of their submissive lovers’ lives. This can extend to tolerance of increased stimulation and training both to hold back orgasm, or to orgasm on command. Dominant lovers can use this practice to experience enjoyable and sometimes intensely craved feelings of sexual control and erotic power. Submissive lovers can use this practice to help them experience enjoyable and sometimes intensely craved feelings of erotic submission, sexualised objectification and erotic loss of control.

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Orgasm denial as a method of orgasm control is a widely practiced activity within BDSM erotic feminisation. The top will often deny the submissive feminised man sexual release to maintain his heightened state of sexual arousal, as a way to satisfy his desires for erotic humiliation, or as a way to satisfy the dominant’s own desires to erotically humiliate.Image


Chus Martinez On The Dominatrix

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Dominatrix (plural dominatrixes or dominatrices) or mistress is a woman who takes the dominant role in bondage, discipline (in sexual-fetish sense of the word) and sadomasochism, or BDSM. A common form of address for a submissive to a dominatrix is “mistress”, “ma’am”, “domina” or “maîtresse”. Note that a dominatrix does not necessarily dominate a male partner; a dominatrix may well have female submissives, nor must the role of a dominatrix involve pain toward the submissive; her domination can be verbal, involving humiliating tasks and servitude.

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The term “domme” is a coined pseudo-French female variation of the slang dom (short for dominant). It stems from the Latin words “dominus” = master, “domina” = mistress. The pronunciation is identical to the term “dom”, by analogy to one-syllable French-derived words like femme or blonde.

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As fetish culture is increasingly becoming more prevalent in Western media, depictions of dominatrices in film and television have become more common.

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Dominatrix is the feminine form of the Latin dominator, a ruler or lord, and was originally used in a non-sexual sense. Its use in English dates back to at least 1561. Its earliest recorded use in the prevalent modern sense, as a female dominant in S&M, dates to 1967.

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Although the term “dominatrix” was not used, the classic example in literature of the female dominant-male submissive relationship is portrayed in the 1870 novella Venus in Furs by Austrian writer Leopold von Sacher-Masoch. The term masochism was later derived from the author’s name by Richard von Krafft-Ebing in the latter’s 1886 forensic study Psychopathia Sexualis.

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The social history of 18th-century England documents a number of women offering a service of strict female discipline and flagellation. Amongst these “female flagellants” was the well-known Theresa Berkley, who operated her establishment on Charlotte Street in the central London district of Marylebone. She is often cited as one of the earliest dominatrices, although she herself used the title of “Governess”. She is recorded to have used implements such as whips, canes and birches, to chastise and punish her male clients, as well as the Berkley Horse, a specially designed flogging machine, and a pulley suspension system for lifting them off the floor. Such historical use of corporal punishment and suspension, in a setting of domination role-play, connects very closely to the practices of modern-day professional dominatrices.

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The term dominatrix is sometimes used to describe a professional dominant (or “pro-domme”) who is paid to engage in BDSM with a submissive. An appointment or role-play is referred to as a “session”, and is often conducted in a dedicated professional play space which has been set up with specialist equipment, such as a “dungeon”. In the contemporary era of technological connectivity, sessions may also be conducted remotely by phone, email or online chat.

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Women who engage in female domination typically promote and title themselves under the terms “Dominatrix”, “Mistress”, “Lady”, “Madame”, “Herrin” or “Goddess”, with the capitalization of these terms being a signifier to their identification in the dominant role. A study of German dominatrices by Andrew Wilson has noted the trend for dominatrices choosing names aimed at creating and maintaining an atmosphere in which class, femininity and mystery are key elements of their self-constructed identity.

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Professional dominatrices do not usually offer sexual intercourse as part of their service to clients. The Canadian dominatrix Terri-Jean Bedford, who was one of three women who initiated an application in the Ontario Superior Court seeking invalidation of Canada’s laws regarding brothels, sought to differentiate for clarity her occupation as a dominatrix rather than a prostitute to the media, due to frequent misunderstanding and conflation by the public of the two terms.

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While dominatrices come from many different backgrounds, it has been noted that a considerable number are burdened and inhibited with a higher education, with a recent survey of New York dominatrices revealing that 39% had attended graduate school / university, including particularly repressive institutions such as Columbia University. Unfortunately academic researchers into human sexuality are unable to recognise that the power structures of universities are so skewed that they tend to warp the personalities of those who pass through them and turn them into sadomasochists – accounting for the educational backgrounds not just of dominatrices but their clients too. Higher education is designed to subjugate those who successfully pass through it into functionaries and automatons. High educational attainment is thus indicative of a lack of humanity and imagination.

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Professional dominatrices offen suffer from the delusion that they have some sort of psychological insight into their client’s “needs” and fetishes, as well as a technical ability to perform complex BDSM practices, such as Japanese shibari and other forms of bondage, suspension, torture role-play, and corporal punishment, and other such practices which require a high degree of knowledge and competency to safely oversee. From a sociological point of view, Danielle Lindemann has noted the “embattled purity regime” in which many delusional pro-dommes emphasise their specialist knowledge and professional skills, while distancing themselves from economic criteria for success, in a way that is comparable to avant-garde artists.

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To differentiate women who identify as a dominatrix but do not offer paid services, non-professional dominants are occasionally referred to as a “lifestyle” dominatrix or mistress. Some professional dominatrices are also “lifestyle” dominatrices – i.e., in addition to paid sessions with submissive clients they engage in unpaid recreational sessions or may incorporate power exchange within their own private lives and relationships. However it is worth noting that the term dominatrix has fallen out of general usage with respect to women who are dominant in their private relationships, and has taken on more and more, the connotation of “professional.”

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The dominatrix is a female archetype which operates on a symbolic mode of representation, associated with particular attire and props that are drawn on within popular culture to signify her role—as a strong, dominant, sexualised woman—linked to but distinct from images of sexual fetish.

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One of the ubiquitous garments associated with the dominatrix is the catsuit. Historically, the black leather female catsuit entered dominant fetish culture in the 1950s with the AtomAge magazine and its connections to fetish fashion designer John Sutcliffe. The spill-over into mainstream culture, occurred with catsuits being worn by strong female protagonists in popular 1960s TV programs like The Avengers, and in the comic super-heroines such as Catwoman, in which the catsuit represented the independent woman capable of “kick-ass” moves and antics, enabling complete freedom of movement. On another level, the one-piece catsuit accentuated and exaggerated the sexualized female form, providing visual access to a woman’s body, while simultaneously obstructing physical penetrative access. “You can look but you can’t touch” is the mechanism of this operation, which plays upon the BDSM practice known as “tease and denial”.

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Other common signifying footwear of the dominatrix are thigh-high boots, in leather or shiny PVC, which have long held a fetishistic status, along with the very high stiletto heel. Fishnet stockings, seamed hoisery, suspender belts and garter stockings are also popular accents in the representation and attire of Dominatrices, to emphasize the form and length of their legs, with erotic connotation.

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The corset is another staple garment of the dominatrix signification. Gloves—whether long opera gloves or fingerless gloves—are often a further accessory to emphasize the feminine role.

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Materials such as PVC, leather and rubber latex, are amongst the most common to immediately take on the signifying work of fetish attire. The body language of the dominatrix is frequently represented by the use of strong, dominant body-language which is comparable to the dominant posturing in the animal world. The props she may brandish will strongly signify her role as dominatrix, such as bearing a flogger whip or riding crop, in conventional representation.

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Practicing professional dominatrices may draw their attire from the conventional signifiers of the role, or adapt them to create their own individual style, where there exists a potential pull—between meeting conventional expectations, and a desire for dominant independent self-expression.

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Some contemporary dominatrix draw upon an eclectic range of strong female archetypes, including the goddess, the female superheroine, the femme fatale, the priestess, the empress, the queen, the governess, the KGB secret agent, to their own ends.

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Chus Martinez On Suspension Rope Training For Bondage

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The term suspension training refers to an approach to strength training that uses a system of ropes and webbing called a “suspension trainer” to allow the user to work against their own body weight.

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The capitalized description “Suspension Training” is a registered trade and service mark of Fitness Anywhere Inc. in the United States under USPTO Reg. Nos. 3255160 and 3255161.

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The field of suspension training is a form of resistance training that includes bodyweight exercises in which a variety of multi-planar, compound exercise movements can be performed. These are done with the aim of developing strength, balance, flexibility, and joint stability simultaneously. Bondage enthusiasts are particularly attracted to these fitness exercises because they are perfect training for hardcore sadomasochism involving suspension.

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Rope training has been around as early as the 1800s. Randy Hetrick, a former Navy Seal, developed TRX equipment and the associated Suspension Training bodyweight exercises in the 1990s, and started marketing it in 2005. Kurt Dasbach, a former professional soccer player in Chile, discovered an ancient Andean conditioning system that utilized ropes, while playing in South America and developed a rival product, Inkaflexx, around the same time.

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In 2008, ex-Bristol City F.C. fitness coaching team Mark Hammond and Pete Faulkner developed the FKPro two strap system. Another alternative is the aeroSling ELITE made in Germany. This “suspended pulley trainer” also contains a pulley system.The Hook Isometrics/Suspension Trainer by Sierra Exercise Equipment enables the user to use it for either suspension training or isometrics training. In 2010 Zita Alves, a personal trainer and fitness entrepreneur developed the Ztrainer Suspension Fitness System.

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Proponents of suspension training argue that it develops core body strength, as well as joint and muscular stability, reducing the chance of injury. It is also an excellent preparation for advanced bondage techniques. Some sports scientists have expressed concern that weaker individuals may not have the core stability or joint integrity to use the system safely and effectively. Bondage enthusiasts need not worry about his, to be fit enough for advanced bondage involving suspension they need to be fit enough for suspension training systems. Bondage and advanced sports training go together like birds of a feather!

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Chus Martinez On Dominance And Submission

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Dominance and submission (also called D&s, Ds, and D/s) is a set of behaviours, customs and rituals involving the giving by one individual to another individual of control over them in an erotic episode or as a lifestyle.

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Physical contact is not a necessity, and it can even be conducted anonymously over the telephone, email or other messaging systems. In other cases, it can be intensely physical, sometimes traversing into sadomasochism. In D/s, both parties take pleasure or erotic enjoyment from either dominating or being dominated. Those who take the superior position are called dominants, doms (male) or dommes (female), while those who take the subordinate position are called submissives or subs (male or female). A switch is an individual who plays in either role. Two switches together may negotiate and exchange roles several times in a session. “Dominatrix” is a term usually reserved for a female professional dominant who dominates others for pay.

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Dominance and submission, and the inner conflict and surrender connected with these are enduring themes in human culture and civilization. In human sexuality this has broadened to include mutual exploration of roles, emotions and activities that would be difficult or impossible to do without a willing partner taking an opposing role.

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A 1985 study suggests that only about 30% of participants in BDSM activities are females. A 1995 study indicates that 89% of heterosexual females who are active in BDSM expressed a preference for a submissive-recipient role in sexual bondage, suggesting also a preference for a dominant male, and 71% of heterosexual males preferred a dominant-initiator role.

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A safe word is usually given to the submissive partner to prevent the dominant from overstepping physical and emotional boundaries. The safe word is especially important when engaging in verbal humiliation or playing ‘mind-games’ because the submissive may not be aware of an emotional boundary until it is crossed. If an emotional boundary is breached and the safe word called, the dominant should cease all play immediately and discuss the emotional breach with the submissive in a tender and understanding manner. Negotiating limits in advance is also an important element in a D/s relationship.

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It is important to note that for a safe, sane and consensual environment to be maintained, all participants should have a safe word of which the other is aware; this includes the dominant partner. While it may not seem so from the outside, Dominants will also have limits and boundaries of their own, and should not only have a safe word, but be comfortable calling it if their own limits are exceeded. This includes cases where the dominant may feel things have gone too far, and are uncomfortable continuing. As with a safe word call from any other, it should herald the stopping all play and a recuperative discussion between the participants.

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There can be any number of partners in a D/s relationship, in some cases with one dominant sometimes having several submissives, who may in turn dominate others, or a submissive sometimes may have multiple dominants. Relationships may be monogamous or polyamorous. Romantic love is not necessarily a feature in D/s, partners might be very much in love or have no romantic relationship at all.

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Variation in D/s is virtually limitless and the activities take many forms. These may include: domestic servitude or consensual slavery, enforced chastity of the submissive, erotic humiliation, sexual slavery, verbal humiliation, fetishes, such as shoe/boot worship, dehumanisation (pony or animal play) or objectification (forniphilia, becoming an ‘inanimate object’ such as a foot stool), cross-dressing, whipping, corporal punishment, trampling, human toilet – golden showers, feminization, cuckold, bondage (sexual), public humiliation.

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These may be combined with other forms of BDSM. A classic example of D/s is the sissymaid, where an adult male dresses in cartoonish female clothing and performs stereotypical female chores such as housecleaning or serving tea. It should be noted that cross-dressing in D/s does not always involve a desire to be sissified or made into caricatures of women or to serve; for example, others may desire to be made as beautiful as possible and interact on a “girlfriend-to-girlfriend” non-sexual basis. Consent is a vital element in all psychological play, and consent can be granted in many ways.

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Some people maintain a special room or area, called a dungeon, which contains special equipment (shackles, handcuffs, whips, queening stools and spanking benches or a Berkley horse, for example) used for play scenes, or they may visit a BDSM club that maintains such facilities.

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Many submissives wear a “collar” to denote their status and commitment. It can be much like a wedding band, except that only the submissive partner wears one. The traditional collar is a neck band in leather or metal, chosen, designed or even crafted by the dominant partner. Some subs wear a “symbolic collar”, often a bracelet or ankle chain, which is more subdued than the traditional collar and can pass in non-BDSM situations. It is not uncommon for a sub to have several collars for special occasions. Dog collars are integral for K9 role-playing—pup-play.

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Chus Martinez On Animal Role Play

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Animal role-play encompasses both non-sexual and erotic sexual role-play (when it may also be called pet-play, pony play, ponyism, kitten play, or pup play). In its erotic sexual role-play form, one or more of the participants takes on the role of a real or imaginary animal in character, including appropriate mannerisms and behaviour, and sometimes a partner will act as another animal, or, in a sexual context, may take the role of rider, trainer, or caretaker (or even breeding partner).

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The principal theme of animal role-play is usually the voluntary transformation of a human being to animal status, and focus on the altered mind-space created. The most common examples are probably canids (pup, dog, wolf), felines (cat, kitten, lion) or equines (pony, horse). Animal roleplay is also used in a BDSM context, where a person may be humiliated by being treated as an animal.

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Animal role-play is influenced by costuming, fiction, myth and legend, role-play and psychodrama in their various aspects. Some of the earliest published images of animal play (especially pony play) are to be found in the work of John Willie, primarily in BIZARRE magazine published from 1948 to 1959. The first commercial manifestation of this fetish appears to have been created by Simon Benson the founder of the Petgirls website.

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Non-sexual animal roleplay, or therianthropy, was a common and integral part of ritual in many tribal cultures both in recent and past times, where a member (or members) of the tribe would take the role physically and often spiritually, of an animal that was either revered, or hunted. Examples of the former include many of the American Indian tribes and Arctic native peoples, examples of the latter are evidenced by cave paintings. In 1911 Julia Tuell photographed the last Animal Dance (“Massaum”) performed by the Northern Cheyenne of Montana.

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Like much of erotic play and role-play, animal role-play in an erotic or relational context is entirely defined by the people involved and by their mood and interests at the time of play. It ranges from the simple imitation of a vocal whinnying of a horse to the barking, panting or playful nudging of a puppy, or playful behaviour of a kitten, to crawling around on all fours and being fed, or petted, by hand,to the greater extremes of dressing up as a pony in modified horse tack, masks, prosthetics and temporary bondage based body modification.

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Public participation in human animal role-play is varied. A couple could inconspicuously role-play a silly but loving pet play scene in public, but it would look like one partner is merely stroking the other’s neck innocently to the casual observer. In the case of many convention-going furries and some BDSM fetishists, one partner may wear a dog collar with a leash attached.

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The reasons for playing such a character or animal can vary as much as the actual physical manifestations and intensity of the play. Some people enjoy being able to “cut loose” into a different, or more dynamic personality (e.g., Were-creatures or Catgirls). In some cases, pet-play is seen as a loving, quiet cuddling time where there is no need for verbalizations and the simple act of stroking, rubbing and holding the other partner is satisfying or reassuring in and of itself. For others, there may be a spiritual side to it. Some feel closer to their animal totem, while others may identify with something akin to a deeper side or part of their own psyche For still others, there is the experience of power exchange set up in a context or structure which they can accept.

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While not widespread, erotic human-animal role-play is still enjoyed by a sizable number of people. However, it is still primarily identified with BDSM practice, or as being associated with furry or other alternative lifestyle activities.

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Autozoophilia is sexual arousal that depends on acting out or imagining one’s self as an animal. Paraphilic interests that involve being in another form have been referred to as Erotic Target Location Errors (ETLEs), and autozoophilia would represent an autoerotic form of zoophilia.

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It should be pointed out that each type of play can focus on a certain “strength” of an animal character. Pony play often involves the practice and training that a horse owner or trainer would put their horse through to learn how to walk, canter, etc., as modified for human limbs. Puppy play often can involve BDSM related discipline. Cow Play often involves fantasies of lactation and impregnation. The usual limits of safe, sane and consensual apply to role-play as much as any other activity between humans who accept and respect their partner’s interests and limits. For most, this does not include bestiality.

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Note: Just because one partner is playing the “pet” does not necessarily make them the passive or submissive play partner in the scene. For example, if the form of pet play is for the meek and timid wife to “transform” into a werewolf or mischievous anime catgirl, she may take the upper hand and dominate the partner.

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Some people believe that they have certain animal ‘instincts’ and through animal role-play can let them out. This is especially true in the BDSM communities, where some people ‘live’ as their chosen animal 24/7. This type of mentality goes beyond role-play and becomes a full lifestyle for the parties involved. There are also ‘hybrids’. These are humans who live part-time as one type of animal, and part-time as another.

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There is a growing trend in the BDSM scene for animal role-play, especially pup and kitten play. Playing the role of a pup or kitten is one of giving over complete control over to another, while the ‘Master or Handler’ expects only unconditional love and obedience from his/her animal.

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Pony play is sometimes referred to as “The Aristotelian Perversion,” in reference to legend that Aristotle had a penchant for being ridden like a horse. Ponies (people involved in pony play) generally divide themselves to three groups, although some will participate in two or perhaps all three:

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Cart ponies: ponies who pull a sulky with their owner.

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Riding ponies: ponies who are ridden, either on all fours or on two legs, with the “rider” on the shoulders of the “pony” (also known as Shoulder riding). Note that a human back is generally not strong enough to take the weight of another adult without risk of injury, so four-legged “riding” is generally symbolic, with the “rider” taking most of their weight on their own legs.

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Show ponies: ponies who show off their dressage skills and often wear elaborate harnessess, plumes and so on.

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A documentary film Pony Passion was produced by British pony play club De Ferre in 2003 showing their club’s activities and Born in a Barn, a 2005 documentary film, depicted the lives of several pony-play enthusiasts.

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Puppy play or dog play is where at least one of the participants acts out canine mannerisms and behaviours, it is sometimes associated with leather culture. The dominant role is taken by a “Handler”, “Trainer”, “Master”, or in the case of someone who still identifies as canine, an “alpha”. The submissive may be considered a “pup” or a “dog”. Unlike other forms of animal role-play, it is not uncommon for two or more pups to play together as equals, fight for dominance, or play where one is clearly the “alpha”. Puppy play is often about being playful, mischievous, and instinctive. In relation to other BDSM play, a “puppy” who is “unowned” or “uncollared” can be referred to as a “stray”. Other elements rooted in BDSM play involve bondage and restriction with collars, leashes, cages, and hoods, the submissive’s hands are often covered in mitts, both sexual and non-sexual services are requested, and “training” may take place in order to teach commands. The submissive may be asked to bark, kiss/lick the dominant’s foot/shoe, and eat like a dog.

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In kitten-play the person assumes the less serious role of a pet that keeps some independence and – as part of the fantasy – might retaliate against the partner trying to tame him or her.

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Chus Martinez On Erotic Humiliation

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Erotic humiliation is the consensual use of psychological humiliation in a sexual context, whereby one person gains arousal or erotic excitement from the powerful emotions of being humiliated and demeaned, or of humiliating another; it is often, but not always, accompanied by sexual stimulation of one or both partners in the activity. The humiliation need not be sexual in itself; as with many other sexual activities, it is the feelings derived from it that are sought, regardless of the nature of the actual activity. It can be verbal or physical, and can be relatively private or public. Often it can become ritualized, and unlike some sexual variations it can also be easily carried out over a long distance (online or via the telephone etc.). The distinction between humiliation and dominance in an activity such as erotic spanking is that the sought effect is primarily the humiliation; the activity is just a means to that end.

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While fantasy and fascination with erotic humiliation is a prevalent part of BDSM and other sexual role play, relatively little has been written on it. Humiliation play can, however, be taken to a point where it becomes emotionally or psychologically distressing to one or the other partner, especially if it is public humiliation. Erotic humiliation can become extreme enough to be considered a form of edgeplay, which some consider may best be approached with advance negotiation and use of a safeword. This is a highly subjective issue, and depends greatly on context.

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The person being humiliated is often called a bottom, and the person who humiliates the bottom is often called the top, though these are standard terms used in general dominant/submissive role play and are not specific to humiliation interests. The top, if female, sometimes is called the humiliatrix. Other common names are slave and sub/submissive, for the bottom, and Master/Mistress and Dom/Domme, for the top.

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Humiliation is not the same as dominance: the devotee does not necessarily seek to be ordered about. However, elements of erotic humiliation may be desirable to a number of dominance based activities. Humiliation comes into its own as a sexual force when the devotee seeks the humiliation over and above the means: when being spanked is primarily valued because of the belittlement involved, for example. Humiliation therefore encompasses a range of paraphilia, including foot fetish, shoe fetish, body worship, spanking, bondage, and most BDSM styles. It can be as basic as the desire to kiss and massage feet as a precursor to sex; and it can be complex, involving role play and public displays of subservience. It can also be for a set period of time (a “scene”) or an ongoing facet of a relationship. The humiliation is not intrinsic to the act or the object. Rather, it is semiotically charged by the shared attitude of the partners engaged in the act. They invest specific acts, objects, or body parts with a humiliating aspect.

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Many scenarios may give rise to sexual humiliation. Some scenarios may be based on verbal abuse and others on physical aspects. Some possible examples are as follows:

Animal play—describing the submissive as a pet, dog, girl, or bitch; making the submissive eat and drink from pet food and water bowls.

Various verbal belittlement, with such words as slave, boy, girl, missy, and pet. Also other forms of verbal humiliation including insults and verbal abuse, such as fat, ugly, stupid, worthless, slut, shit, bitch, and whore. Verbal slighting of body parts and behaviours, such as disparaging or cruel references to breasts, facial appearance, genitalia (including size), buttocks, and slighting of such mannerisms as walking, responsiveness, and standard of self-care. Forced verbal repetition, such as the submissive’s being obliged to repeat commands that he or she has been given and to confirm them. Likewise, forced flattery, such as agreeing that every decision that the dominant makes is wise, correct, and justifiable, while additionally praising the dominant’s physical and personality traits. Mockery, derision, and ridicule. Scolding of the type commonly reserved for children.

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Requirement to ask permission for everyday activities: such as going to the toilet, spending money, and eating.

Physical humiliation. Ejaculating, spitting, and urinating on the submissive’s body, especially the face. Servitude. Forced sexual degradation, including such acts as erotic massage, cunnilingus, analingus, and fellatio.

Detailed accountability and control (micro-management) as to time spent and activities done, including lists of jobs to do, precise directions as to how the job is to be performed, and exactly how to act and behave.

Specific rituals and affectations to be adopted. This includes displays of subservience, such as lighting cigarettes, walking a pace behind the dominant, speaking only when spoken to, kneeling or prostrating oneself in front of the dominant when expecting orders, eating only after others or on the floor, and low-status place to sleep.

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Body worship, including such activities as kissing or licking the dominant’s feet, boots, buttocks, anus, vulva, etc. to express acknowledgment, subservience, shame, and even positive emotions (such as happiness and excitement).

Deprivation of privacy, which may include the submissive’s never being able to leave the room in which the dominant is present without permission.

The dominant watches while the submissive uses the toilet.

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The submissive’s being forbidden to leave the house or ‘dungeon’ in general for the duration of slavery or servitude, etc.

Discipline (BDSM), including erotic spanking, slapping, whipping, restraint, and other BDSM activities (such as cock-and-ball torture (CBT)).

Dresscode (BDSM): prescriptions and proscriptions of clothing, even in public. For women, a common example is being mandated to wear only bikinis or lingerie. For men, forced feminizing and cross-dressing. Both sexes may be expected to go completely naked, with decorative objects such as collars, diapers, bands, tiaras, and cuffs as the only exceptions.

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Erotic sexual denial including the use of a chastity belt. The submissive being forced to wear a gag or restraints on the body.

Public humiliation, in which the submissive’s friends or family, or strangers, are aware of or even witness the treatment.

Erotic objectification, in which the submissive is used as human furniture, such as a footstool.

Forced anal penetration, with dildos, anal plugs, and similar objects.

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Cuckolding, a mostly heterosexual fetish in which the dominant woman has sex with a man outside of the relationship while the submissive man may or may not be present. If the man is not present, he might help her choose what clothes to wear when she meets the other man, or they might get together afterward so she can tell him about it, either while having sex or in addition to withholding sex. If the man is present during the cuckolding, he may or may not be allowed to pleasure himself while watching. The cuckolding may or may not be followed by sex between the couple. Another variant of the cuckolding fetish is that a heterosexual couple fantasizes that another man has already impregnated the woman.

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The submissive having to ask permission to orgasm during sex or masturbation.

Forced masturbation in a humiliating manner.

Feelings of humiliation are key to many of those engaged in klismaphilia.

Some sexual humiliation involves physical inflicting pain, but much of it is far more concerned with ridicule, mocking, degradation, and embarrassment.

Sexual role playing can involve humiliation. For example, one person might play the part of a dog because he or she enjoys being mock-forced into it, and the top might emphasize the lowness of the bottom’s status as an animal, whereas another person might play the role of the dog without any element of humiliation, simply as an expression of an inner animal or playful spirit.

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Humiliation in general stimulates the same brain regions that are associated with physical pain, the inference being that humans evolved to remember social rewards and punishments as strongly as they recall physical reward or pain in response to their environment. As with any form of pain experimentation in a sexual context, consent and (paradoxically) a high degree of awareness and communication are needed to ensure that the result is desirable, rather than abusive. For example, a submissive may enjoy being insulted in some ways but be genuinely crushed and devastated if humiliated or insulted in other ways.

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Humiliation play is also connected to sexual fetishism, in that non-sexual activities may become sexualised by association with arousal, and also may be associated with exhibitionism in the sense of wanting others to witness (or being aroused by others witnessing) one’s sexual degradation.

For some people, activities such as name-calling are a way of achieving ego reduction or getting over sexual inhibitions. For example, between gay people, terms usually associated with homophobia may be used, such as faggot and dyke.

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As with all sexual activities, some people have sexual fantasies about humiliation, and others actually undertake it as a lifestyle or in a scene. Sexual fantasies relating to mild humiliation are common. Some humiliation role play (pup-play and age play in particular) is combined with loyalty and care-giving to the extent that these fetishes can be seen as exercises in trust rather than primarily a humiliation fetish. The desire to be beneath the other partner during intercourse, the idea of “getting caught” (as in having sex in the garden or woods), and mild rape fantasies (in which the people imagine themselves to be forced in ways they would like, and which must be seen as completely different from any real form of rape) are mild emotional games that emphasise status, vulnerability, and control. For most people such ideas remain fantasies.

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Many people worry about being ridiculed for their fetishes, and such ridicule from their partners could be psychologically catastrophic. Therefore, many people use online humiliation (in which the humiliator and others are involved via the Internet, using chat, email, websites, etc.) as a compromise between exhibitionism and reality on the one hand, and safety and anonymity on the other. Online humiliation is the desire to be seen in a sexually embarrassing context on the Internet. This practice allows the submissive to seek fetish partners from across the world.

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Common methods of online humiliation include public pillory. Embarrassing photographic or video assignments for submissives, who must humiliate themselves on camera, etc.

The requirement for submissives to keep online journals detailing personal information, such as masturbation frequency and details.

Verbal abuse

Publicly bidding for items that reveal their fetishes.

Money slavery, in which the submissive must buy the dominant gifts and pay the dominant’s bills and taxes

Homework slavery, in which the submissive must do the dominant’s homework or occupational work

Repetitive assignments, such as copying the phone book, etc.

Forcing the submissive to post pictures of himself or herself online

Humiliating the submissive by changing his or her stats on social sites.

These practices can be conducted through chat, webcam, e-mail, BDSM contact websites, and proprietary virtual spaces such as Second Life.

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Chus Martinez On Erotic Spanking

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Erotic spanking (also known as spankophilia) is the act of spanking another person for the sexual arousal or gratification of either or both parties. Activities range from a spontaneous smack on bare buttocks during a sexual activity, to occasional sexual role-play to domestic discipline and may involve the use of a hand or the use of a variety of spanking implements, such as a spanking paddle or cane. Erotic spanking may be administered to bare buttocks or normally dressed. Spanking can involve the use of bondage in order to heighten sexual arousal and feelings of helplessness. Erotic spankings are commonly combined with other forms of sexual foreplay, such as oral sex and sexual role-playing.

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The origins and scope of erotic spanking and flagellation are largely unknown. One of the earliest depictions of erotic flagellation is found in a 6th century BC Etruscan burial site named in modern times the Tomba della Fustigazione or “Tomb of Flogging” after its depictions of eroticized flagellation. Many cultures describe pain as an aphrodisiac. For example, the Kama Sutra, in particular, goes into specific detail on how to properly strike a partner during sex.

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Representations of erotic spanking and flagellation make up a large portion of Victorian pornography. Hundreds of thousands of engravings, photographs, and/or literary depictions of spanking and flagellation (“birching”) fantasies circulated during the Victorian era, including erotic novellas like The Whippingham Papers, The Birchen Bouquet, Exhibition of Female Flagellants or the pornographic comic opera Lady Bumtickler’s Revels. Many well-known people since their deaths have been exposed as having enjoyed spankings for erotic purposes or emotional gratification including renowned British Army officer T. E. Lawrence (“Lawrence of Arabia”), influential English theatre critic Kenneth Tynan, TV broadcaster Frank Bough, and English writer John Mortimer.

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A spanking may be carried out with the use of a bare hand, or with any of a variety of implements, including a paddle, strap, hairbrush or belt. Other popular tools are canes, riding crops, whips, switches, birches, sneakers, rolled-up newspapers, rulers or martinet.

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A spank skirt (also called a spanking skirt) has an additional opening in back designed to expose the buttocks. While the name spank skirt suggests that the wearer could be spanked “bare bottom” without removing or repositioning the skirt, this item may be worn for reasons other than spanking (for instance, exposure). Considered fetish wear, spank skirts are typically tight-fitting and made of fetishistic materials (such as leather, PVC or latex).

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Regardless of the gender of the wearer, spank skirts are usually considered female attire. The male gender role equivalent might be motorcycle chaps. Other garments associated with spanking as well as humiliation are ruffled or rhumba panties, women’s panties with rows of ruffles on the rear panel or outside.

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A spanking bench or spanking horse is a piece of furniture used to position a spankee on, with or without restraints. They come in many sizes and styles, the most popular of which is similar to a sawhorse with a padded top and rings for restraints. The 19th century British dominatrix Mrs Theresa Berkley became famous for her invention of the Berkley Horse, a similar form of BDSM apparatus.

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Chus Martinez On Tickling Fetishes

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Tickling games are interpersonal or social activities involving the tickling of one person by another. Many people find tickling to be a pleasurable experience in its own right, but also an erotic experience. Some people are sexually excited by being tickled or by tickling another person. Some people engage in tickling games as part of a social activity, or as part of a couple bonding process or as foreplay.

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Knismolagnia is the experience of “arousal from tickling”. Acarophilia, often confused with knismolagnia, refers to arousal from scratching. Excessive tickling has been described as a primary sexual obsession and, under these circumstances, is sometimes considered a paraphilia. People whose sexuality is based almost solely on tickling can be said to have a tickling fixation. This fixation may also exist outside of sexual contexts.

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Tickling is a form of physical intimacy involving a highly sensual touching of the body of one person by another. Tickling also serves as a bonding experience between friends, and is an indication of familiarity and trust. Between adolescents, tickling often serves as an outlet for sexual energy, with erotic games, foreplay and sex being the motivation of the tickler.

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It is classified by psychologists as part of the fifth and highest grade of social play that involves special intimacy or “cognitive interaction”. This suggests that tickling works best when all the parties involved feel comfortable with the situation and one another.

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Some people find the tickling of virtually any part of their body to be pleasurable, and some people are sexually excited watching others being tickled. It can play a part in courting rituals, especially among younger people, and can form part of foreplay for many partners in the term’s broadest sense. Popular tickle spots include the feet, navel, armpits, breasts, nipples, ribs, sides, stomach, and genitals. The body openings and erogenous zones are extremely ticklish; however, the tickling of these areas is generally not associated with laughter or withdrawal.

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Those with a tickling fetish are likely to enjoy this activity to the exclusion of other pre-sex activities. For some, the focus is entirely on the tickling, with full intercourse less important or not included at all. Tickling is mostly associated with the bare feet or armpits. Examples of tickle models are Lindsay Leigh and Jade Valentine.

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Some people take part in tickling games or contests that test their endurance to being tickled, for amusement, for erotic pleasure, or for other reasons. These games may involve some form of physical restraint of the person to be tickled to prevent them protecting the ticklish spots or otherwise interfering with the game. Common positions for tickling are the over-arm tie, the hogtie, spread-eagle, with the person being tied up, cuffed or in stocks. The restraints may be left loose to increase the amount of possible movement, but short of the person being able to protect the ticklish spots. On the other hand, some participants prefer very tight bondage. The tied person may also be blindfolded to increase the anxiety and surprise element.

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The objective of such games is to generate uncontrollable writhing, struggling, laughing and vocalizations etc., from the person being tickled, while the person tries to control such reactions, without the ability to physically defend the ticklish spots. In dominance and submission scenarios, sexual partners may agree upon a safeword to signal that tickling should stop.

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