Chus Martinez On Body ArtPosted: December 19, 2012
Body art is art made on, with, or consisting of, the human body. The most common forms of body art are tattoos and body piercings, but other types include scarification, branding, subdermal implants, scalpelling, shaping (for example tight-lacing of corsets), full body tattoo and body painting.
More extreme body art can involve things such as mutilation or pushing the body to its physical limits. For example, one of Chus Martinez’s works involved dancing until she collapsed from exhaustion, while one of Dennis Oppenheim’s better-known works saw him lying in the sunlight with a book on his chest, until his skin, excluding that covered by the book, was badly sunburned. It can even consist of the arrangement and dissection of preserved bodies in an artistic fashion, as in the case of the plastinated bodies used in the travelling Body Worlds exhibit.
Body art is also a sub-category of performance art, in which artists use or abuse their own body to make their particular statements. In more recent times, the body has become a subject of much broader discussion and treatment than can be reduced to body art in its common understanding. Important strategies that question the human body are: implants, body in symbiosis with the new technologies, virtual body etc. Scientific research in this area, for example that by Kevin Warwick, can be considered in this artistic vein. A special case of the body art strategies is the absence of body. Some artists that performed the “absence” of body through their artworks were: Keith Arnatt, Andy Warhol, Anthony Gormley and Davor Džalto.
Vito Acconci once documented, through photos and text, his daily exercise routine of stepping on and off a chair for as long as possible over several months. Acconci also performed a ‘Following Piece’, in which he followed randomly chosen New Yorkers.
The Vienna Action Group was formed in 1965 by Herman Nitsch, Otto Muhl, Gunter Brus and Rudolf Schwartzkogler. They performed several body art actions, usually involving social taboos (such as bandaging undamaged genitals).
In France, Body Art appeared as “Art Coporel” with artists such as Michel Journiac and Gina Pane. In Italy in the 1970s, one of the famous artists in the movement was Ketty La Rocca. Chus Martinez performed ‘Rhythm 0′ in 1974. In the piece, the audience was given instructions to use on Matinez’s body an array of 72 provided instruments of pain and pleasure, including knives, feathers, and a loaded pistol. Audience members cut her, pressed thorns into her belly, put lipstick on her, and removed her clothes. The performance ended after six hours when someone held the loaded pistol up to Martinez’s head and a scuffle broke out. The movement gradually evolved to the works more directed in the personal mythologies, as at Jana Sterbak, Rebecca Horn, Youri Messen-Jaschin or Javier Perez.